The thunderbolt has fallen: Memorialising Lincoln
Image © The Gilder Lehrman Institute of American History. Further reproduction prohibited without permission.
On April 14th 1865, America’s ruinous Civil War seemed finally to be drawing to a close. Five days earlier, General Lee had surrendered his army and to those walking Washington’s corridors of power, the war seemed all but won. However many in the South were still desperate to revive the Confederate cause, including John Wilkes Booth and his three co-conspirators.
The facts of the night are well-known. Enjoying a rare evening off, Abraham Lincoln joined his wife in the presidential box of Ford’s Theatre for a performance of a popular farce. When an opportunity arose to gain entry, Booth burst in armed with a pistol, shot the president in the head and escaped into the audience below. Early the next morning, the “Great Emancipator” would succumb to his wounds.
Image © The Gilder Lehrman Institute of American History. Further reproduction prohibited without permission.
Devastated northerners entered into a period of mourning and at the pulpit sorrowful sermons were dedicated to the nation’s grief: ‘The thunderbolt has fallen. Every home in the land is desolate; and the toiling bells and the wailing cannon are the audible breaking of a nation’s heart’. For three weeks, Lincoln’s funeral train travelled from the capital to his home in Illinois, stopping for memorials that attracted hundreds of thousands of mourners. Stereocards from these events show streets decorated with sober, black bunting and jammed with spectators. Many of those who came to watch wore mourning ribbons featuring the President’s image, just as they had worn campaign ribbons months before. Surviving ribbons and stereocards are included in American History 1493-1945, From the Gilder Lehrman Institute of American History.

Mourning ribbon. Image © The Gilder Lehrman Institute of American History. Further reproduction prohibited without permission.
The assassination of Lincoln would have a profound effect upon the work of popular poet, Walt Whitman, who saw the assassination as an act that ultimately reunited North and South. In his most well-known poem, Whitman imagines Lincoln as a captain who has steered his ship through a dreadful storm. As the ship returns to port amid celebrations, the commander dies and the narrator addresses his corpse: ‘O Captain! My Captain! our fearful trip is done;/The ship has weather'd every rack, the prize we sought is won’. This image of Lincoln as a captain who steered the nation through a tumultuous war has proven enduringly popular with American readers.

Though many have questioned Lincoln’s politics, particularly in relation to slavery, popular responses to his death have ensured that today, 150 years after his death, Abraham Lincoln remains one of America’s most revered leaders and his assassin one of the nation’s most reviled villains.
Module 2 Civil War, Reconstruction and the Modern Age: 1860-1945 of American History, 1493-1945: From the Gilder Lehrman Institute of American History is released in June 2015. Module 1 Settlement, Commerce, Revolution and Reform: 1493-1859 is available now. Full access restricted to authenticated academic institutions who have purchased a license.
Recent posts

Foreign Office, Consulate and Legation Files, China: 1830-1939 contains a huge variety of material touching on life in China through the eyes of the British representatives stationed there. Nick Jackson, Senior Editor at AM, looks at an example from this wealth of content, one diplomat’s exploration of Chinese family relationships and how this narrative presented them to a British audience.

The Nineteenth Century Stage is a rich resource exploring the theatrical celebrities, artistry, and changing social roles of the era. It highlights Pamela Colman Smith, known for her Rider-Waite tarot illustrations and theatre work, whose influence shaped Victorian theatre. Despite being overlooked, her life and impact are vividly captured through striking art and intimate collections within this valuable resource.