World-Renowned Collection of Shakespeare Material Published Online
Adam Matthew continues its new series of theatre-related projects with exclusive Shakespeare content from the Folger Shakespeare Library
The world‚Äôs largest collection of prompt books from the Folger Shakespeare Library, Washington D.C., is now available online, providing theatre, literature and popular culture researchers unprecedented access to this unique collection in a digital format.
Shakespeare in Performance offers the Library‚Äôs entire collection of Shakespeare ‚Äėprompt books‚Äô ‚Äď annotated copies of plays ‚Äď telling the story of Shakespeare‚Äôs plays as they were performed in theatres throughout Great Britain, the United States and internationally between 1670 and 1970.
Prompt books that were once owned by famous actors and directors, including Charles and John Philip Kemble, Henry Irving, Ellen Terry and Laurence Olivier have been digitised for exploration. Others are extremely rare and old; in particular the 1670s Smock Alley prompt books from the Theatre Royal in Dublin. This remarkable array of material will transform understanding of how Shakespeare‚Äôs plays have been interpreted and performed over the years.
‚ÄúThe Folger's prompt book collection is deep and unique, drawing from three centuries of Shakespeare performances. Making this collection accessible will further the Folger's goal of getting as many digital resources into scholars' hands as possible.‚ÄĚ
- Eric Johnson, Director of Digital Access at the Folger Shakespeare Library
Seventeen performances of particular cultural importance have been selected as case studies, including David Garrick‚Äôs revised 1772 production of Hamlet, Henry Irving‚Äôs famous 1879 production of The Merchant of Venice and Laurence Olivier‚Äôs Oscar-winning cinema release of Hamlet, each supported by photographs, costume designs and music scores to illustrate key aspects of each production.
An interactive highlight includes the facility to view prompt books alongside one another to easily compare the difference between two copies of the same play. Users can navigate simultaneously to a specific act or scene allowing for dynamic and comparative research.
Senior Publisher at Adam Matthew, Martin Drewe, explained: ‚ÄúWe‚Äôre absolutely delighted to be able to meet the academic demand for online access to this extensive range of important material from the world-renowned Folger Shakespeare Library‚ÄĚ.
Shakespeare in Performance is available now: www.shakespeareinperformance.amdigital.co.uk
A free webinar on the resource will take place on September 14th 2016 - register here.